Pressure Washing: An Indiscreet But Satisfying Rapture Exhibition By Matthew Rose : 6 March - 25 April 2015

“Pressure Washing” will be on view at Converge Gallery March 6 through April 25, 2015, with an opening on Friday 6 March, beginning at 6 pm.  

WILLIAMSPORT, PA – Converge Gallery is pleased to present Matthew Rose’s small and intimate exhibition of sometimes erotic, sometimes obscene, indecent, titillating, arousing, risqué, adult works of art rife with bawdy double-entendres and soft-core innuendo. This is the Paris-based American artist’s third solo exhibition at Converge Gallery.

These 100 hand-cut and painted collage works on board and canvas skew towards the suggestive with splashes of surrealist and pop sensibilities.  Along with additional pieces in sealed plastic arranged triple-x magazine-style in a private “American Peep Show” viewing booth, “Pressure Washing” provides a kind of lexica pornographica, a modest pictorial thesaurus of contemporary pleasure. 

Curated by Converge Gallery director, John Yogodzinski, these works target “almost every manner of sexual adventure with a sophistication and deep sense of humor that takes no prisoners,” says Yogodzinski.  “These works offer rewards that will leave viewers and collectors of art and erotica in stitches and possibly chains. Matthew Rose proves again he is one of our leading collage workers, taking the aesthetic of cut and paste, and pushing past the gates armed with fleshy poetry.” 

Kristen Hill, Converge Gallery, assistant director, agrees: “No philistine, Rose produces x-rated koan-like gems with a knowing virtuosity,” she says. “He’s a two-fisted culture warrior outfitted with sharp scissors, hot glue and a quick pair of hands to rifle through the Zeitgeist.”

Matthew’s last exhibition at Converge (2013), The Letters, comprised 333 works each mailed to the gallery.  Some pieces were missives, others fragments from various alphabets, faux books and his award-winning floor-to-ceiling lexicon the “SPECIAL K WORDS.”

Matthew Rose’s collages, text works, prints, drawings and altered books and objects are widely collected both privately and publicly throughout Europe and the US. Currently Matthew Rose’s “Self Improvement Alphabet,” a 26-piece collage installation, is on view at The Cornell Museum, Delray Beach, Florida.  He also conceived and launched the global project A Book About Death. His works have been featured in Axis of Evil (Qualicatica 2004); Masters of Collage (Lark, 2009); Cutting Edges (Gestaten, 2010); and the artist is currently involved in producing two books : Weekend Plans (Burning Boy 2015) and As Is, (Burning Boy 2015) a collection of written and photographic essays about Rose’s 30 years making and exhibiting art. 

Download the large format poster of the exhibition (PDF). 

Phyto

POESIE DER GROSSSTADT. DIE AFFICHISTEN

Working with Zach Collins

Zack´s starter:

My finish:

Pflanzenkunde / Phytology

Die Schmetterlingssamlerin / The Butterfly Collector

Unbeendete Landschaften / Unfinished Landscapes

Königinen & Könige / Queens & Kings

Drama Queen

Loplop 2.0 / In Memoriam M.E.

Levitation

My series in Otoliths Magazine
Edited by Mark Young

Z 2 A / A Collage ABC

 Ab sofort erhältlich gedruckt und gebuden oder digital : Benzene Editions / Brooklyn, USA

Curated and designed by Allan Bealy, this ABC brings together 26 artists from the world over all working in collage: Larry Zdeb, Heike Weber, Sally Wassink. Frank Voight, Ted Tollefson, Matthew Rose, Indiana Rogers, Sethapong Povatong, Scott Neff, Koji Nagal, Rozann Le Gall, Susanna Lakner, Flore Kunst, Ryoichi Katoh, Laura Tringall Holmes, Lance Glover, Fred Free, Jon Foster, Luc Fierens, Manu Duf, Zach Collins, Carolina Chocron, Carl Chew, Joe Castro and Allan Bealy.

 My D is for Dilettante.

Also available at Benzene:  25 Warblers

König / King

Über Zufälle / About Accidents